A 5 page look at the way the female protagonists of Henrik Ibsen’s A Doll’s House and Zora Neale Hurston’s Their Eyes Were Watching God respond to society’s traditional roles for women, and to what extent these characters are able to overcome these social constrictions to achieve a self-actualized life. Therefore, No additional sources cited.
Filename: Hursoci.wps
The Characterization of Janie in Hurston’s ‘Their Eyes Were Watching God’
A nine page paper looking at this importanttwentieth century novel in terms of the way Zora Neale Hurston created the complex characterization of her protagonist, Janie Crawford.
Zora Neal Hurston / Significance Of White Tokens In Six Of Her Works
A 6 page analysis of Jonah’s Gourd Wine, Guilded Six-Bits, Sweat, Spunk, Drenched in phone number data Light, & John Reddding Goes to Sea — looking at how Hurston uses the white token to bring about the black experience in regards to separatism and belonging–from a societal viewpoint. The paper discusses Hurston’s goals of bringing together Therefore, both societies for an egalitarian purpose rather than promote a separatist viewpoint for either black or white society.
Zora Neale Hurston / A Woman of Two Worlds
An 8 page paper discussing the black author’s unusual ability to move easily in both black literary circles and white ones simultaneously, and postulates that this helped her bring the joy and vitality of black experience to a primarily white audience. FREE Outline of paper included ! Bibliography lists 8 sources.
Zora Neale Hurston’s ‘Dust Tracks on a Road’
A 5 page essay on Zora Neale Hurston’s autobiography. It describes Zora’s life briefly, then analyzes two major problems Therefore, with the book, namely Zora’s lack of closure regarding her prophetic ‘visions’ and her inability to perceive herself as a member of an oppressed race. No additional sources cited.
Filename: Zora2.rtf
Zora Neale Hurston’s ‘Seraph on the Suwanee’ / Sexuality
A 5 page paper based on the argument that author mobile lead Zora Neale Hurston wrote more with an eye to authenticity than to the conventions of the times in which she wrote. Published in 1948, ‘Seraph on the Suwanee’ was the last novel written types of currency exchange rates by Hurston, and was also one of her lesser-known. All of her works, however Therefore, included a measure of to-the-point sexuality, presented in the context of a matter-of-fact part of life rather than for any anticipated ‘shock value.’ Bibliography lists 5 sources.
Filename: Hurston.wps
Zora Neale Hurston’s ‘Their Eyes Were Watching God’ / Traces Of Modernism
A 9 page paper on the novel by early twentieth century author Zora Neale Hurston. The paper argues that Hurston’s fiction techniques were Therefore, ultimately derived from the modernism she learned while she was the only Black student at Barnard in the 1920s, and this colored both her fictional techniques and her interaction with white people from then on. Bibliography lists 9 sources including book.